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About
this site
The Gaslight Anthem Record is a fan
site based in England and maintained by Alexander, who came across the
band in early 2009.
As information on the Gaslight Anthem
was at that time not just spread far and wide, but also incomplete, he
decided to gather what he could and put a lot of it on one handy site,
not least as a 'thank you' to the band.
When he isn't engrossed in all things
Gaslight Anthem, Alexander earns his living as a professional historian.
That's one reason why he likes facts and lists.
Alexander posts on Dimestoresaints.com,
the Gaslight Anthem forum, under the name 'steady
now steady now'. He is also on Facebook
and on MySpace,
but doesn't use either much.
From Brian (London, 4 June 2009):
with the Gaslight Anthem, 26 June
2010:


Since 1980, when I discovered Bruce
Springsteen, I have never come across a band whose work made such a profound
and immediate impact on me. It's as if these songs had been in my
life all along, I just hadn't heard them played. This is not least
because Brian Fallon's lyrics are more than just lyrics, they are great
poetry; the kind that is very personal, yet captures greater truths.
It is a privilege to be able to share in these songs. The Gaslight
Anthem are also the most genuine and non-contrived band you will ever find.
How I
discovered the band:
Someone mentioned the Gaslight Anthem
and the '59 Sound on BTX, the Springsteen forum. I looked up the album
on Amazon, but saved it for later in my basket. This was in mid/late 2008.
I only actually bought the album
in March of 2009. I had not heard the band before then. I liked what I
heard, thought the refs. to Bruce and Tom Petty were fun, but the song
I really got to love was the '59 Sound. I got the chords, played it on
the guitar.
I went back on Amazon and listened
to the brief clips from Sink or Swim and thought it sounded similarly good
(sometimes first albums are quite different), so I ordered that and the
EP. I got Sink or Swim, I listened once and ... I knew this was the best
band I had come across in 29 years (since I discovered Bruce). I think
Sink or Swim is a masterpiece; awards should have been rained down upon
it.
I couldn't believe I had waited that
long. I looked for info, boots, interviews etc., and as it was all so scattered,
I put it on a Gaslight Anthem website of my own, partly as a 'thank you'
to the band, and to help spread the news.
My
favourite Gaslight Anthem song and video and why? :
Song: 'We Came to Dance'.
For one thing, it's a song about
music itself, about music in action, and about the role that music can
play in people's lives. It is also about the redeeming qualities of music
and about everyone's ability to make things better, to reinvent the good
times and bring it all back home again, no matter how bad things might
be(come). It's also about community, about the songs "we" sing, as emphasised
by the band's background vocals. Musically, it is superb. The apparent
changes in tempo, in rhythm, in volume. It is played superbly, with all
four band members at their very creative best. It goes all out, yet it's
not arrogant. It's 'Born to Run' and 'Rosalita' and 'Mary's Place' rolled
into one, yet it's much more than a combination of these. It's as good
as it gets. It's one of those very rare songs that actually moves me to
tears, both for its sentiments and for the simple privilege of being able
to share in it.
Video: 'I'da Called You Woody, Joe'
It's got energy, it's funny, and
it doesn't wreck the song by adding a story line. It also shows a young
band, still a little awkward, not aware how great they really are. I love
the moment when Brian realizes that Benny is up to something (it doesn't
look rehearsed) ... and Benny then pushes him aside and appears to take
over on vocals. And the gig segment is fantastic. The whole video is unpretentious,
it's genuine, it's what the guys are about.
My
seven favourite Gaslight Anthem songs:
We Came to Dance
I'da Called You Woody, Joe
Miles Davis & The Cool
Old Haunts
Stay Lucky
High Lonesome
I Coul'da Been a Contender
I collect Gaslight Anthem CDs (incl.
promos, compilations and cover CDs), as well as vinyl (but not colour variants).
July 2010
Favourite
lines:
We came to sing out a
chorus, reinvent the good times
And to bring it all back home
again [...]
Cause you ain't never had a night
on the town
Like I could show you such a
night on the town
You ain't never had a song you
could sing
It's a deep dark night, I hear
you, I've been there
and these are the songs that
we sing
and these are the songs that
we sing
(The Gaslight Anthem, from 'We
Came to Dance')
This was the sound of the very
last gang in town.
As heard by my wild young heart,
like directions on a cold dark night,
Sayin', 'Let it out, let it out,
let it out, you're doin' all right.'
And I heard it in his chain gang
soul.
It wasn't just the same sad song.
Sayin', 'Let it out, let it out,
let it out, you're doing all right.'
And I'm doing all right, are
you doin' all right?
And I carried these songs like
a comfort wherever I'd go.
(The Gaslight Anthem, from 'I'da
Called You Woody, Joe')
Don't wait too long to come home
My have the years of our youth
passed on
Don't wait too long to come home
I will leave the front light
on
(The Gaslight Anthem, from 'Miles
Davis & The Cool')
So don't sing me your songs about
the good times
Those days are gone and you should
just let them go
And God help the man who says
If you'd have known me when
Old haunts are for forgotten
ghosts
Old haunts are for forgotten
ghosts
(The Gaslight Anthem, from 'Old
Haunts')
And Maria came from Nashville
with a suitcase in her hand
Always kinda sorta wished I looked
like Elvis
And in my head there's all these
classic cars
And outlaw cowboy bands
I always kinda sorta wish I'm
someone else
When our boots they hit the ground
They made a high and lonesome
sound
When our boots they hit the ground
They made a high and lonesome
sound ...
(The Gaslight Anthem,
from 'High Lonesome')
And if you're scared of the future
tonight,
We'll just take it each hour
one at a time.
It's a pretty good night for
a drive,
So dry up those eyes, dry up
those eyes.
Because the radio will still
play loud,
Songs that we heard as our guards
came down.
Like in the summertime when we
first met,
I'll never forget, don't you
forget,
These nights are still ours.
(The Gaslight Anthem, from 'Boomboxes
and Dictionaries')
 
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